Summary Bibliography: H. Rider Haggard
You are not logged in. If you create a free account and sign in, you will be able to customize what is displayed.
Showing all translations. Registered users can choose which translations are shown.
- Allan Quatermain
- Fantastic Fiction of H. Rider Haggard
- Zulu Nation
Copyright (c) 1995-2016 Al von Ruff.
ISFDB Engine - Version 4.00 (04/24/06)
Sir H. Rider Haggard, in full Sir Henry Rider Haggard, (born June 22, 1856, Bradenham, Norfolk, Eng.—died May 14, 1925, London), English novelist best known for his romantic adventure King Solomon’s Mines (1885).
The son of a barrister, Haggard was educated at Ipswich grammar school and by private tutors. In 1875, at age 19, he went to southern Africa as secretary to the governor of Natal, Sir Henry Bulwer. Then he served on Sir Theophilus Shepstone’s staff and himself hoisted the flag at the brief first annexation of the Transvaal (1877–81). He then became master of the high court there. In 1879 he returned to England, wrote a history of recent events in southern Africa, Cetywayo and His White Neighbours (1882), and read for the bar.
He published two unsuccessful novels but captured the public with his African adventure story King Solomon’s Mines. He followed this with She (1887) and further stories of Africa, notably Allan Quatermain (1887), Nada the Lily (1892), Queen Sheba’s Ring (1910), Marie (1912), and The Ivory Child (1916). He used other settings for such striking romances as Cleopatra (1889), Montezuma’s Daughter (1893), and Heart of the World (1896).
Haggard was also a practical farmer; he served on several government commissions concerning agriculture and was knighted in 1912 for these services. A Farmer’s Year (1899) and Rural England, 2 vol. (1902), are works of some importance. His autobiography, The Days of My Life: An Autobiography by Sir H. Rider Haggard (1926), was edited by C.J. Longman and published posthumously. With Robert Louis Stevenson, George MacDonald, and William Morris, Haggard was part of the literary reaction against domestic realism that has been called a romance revival.